Entertainment
Netflix Subscriber Surge Driven by Bridgerton and Baby Reindeer
Netflix has reported a significant boost in subscribers, adding over eight million new members in the three months leading up to June. This impressive growth has been fueled by the latest season of “Bridgerton” and the new drama “Baby Reindeer.” The increase nearly doubled investor predictions, showcasing the effectiveness of Netflix’s recent measures to curb password sharing.
Despite this surge, Netflix cautioned that the positive impact of the password-sharing crackdown might diminish in the coming months, potentially leading to slower subscriber growth. To maintain its momentum, the streaming giant is exploring new avenues such as sports, live events, and gaming.
Upcoming plans include a multi-player video game tied to the new season of the popular dystopian series “Squid Game,” set to release later this year, as well as games linked to shows like “Emily in Paris.” Netflix expressed confidence in its strategy, stating, “If we execute well – better stories, easier discovery and more fandom – while also establishing ourselves in newer areas like live, games and advertising, we believe that we have a lot more room to grow.”
With this recent subscriber gain, Netflix’s global total has surpassed 277 million. Considering more than two people in most households share accounts, the platform estimates its audience reaches over 600 million. In the UK, Netflix’s cheapest ad-supported package costs £4.99, while in the US, it is priced at $6.99.
Netflix’s advertising business has shown “steady progress,” with subscriptions to the ad-supported plan rising by 34% in the quarter. However, the company noted that the ads business would not significantly impact revenue until 2026. Jamie Lumley, an analyst at Third Bridge, pointed out that while the ad-supported tier is crucial for subscriber growth, it has yet to demonstrate its revenue potential. He emphasized that Amazon has made a more substantial impact in the ad market, and Netflix needs to scale up to become a major player in this segment.
Financially, Netflix’s total revenue for the quarter was $9.56 billion, a 17% increase compared to the same period in 2023. Profits also saw a substantial rise, reaching $2.15 billion, up from $1.5 billion the previous year. The company projects a year-on-year growth of 14% for the July-September period.
As Netflix continues to innovate and expand into new areas, its position as the industry leader remains strong, with a promising outlook for future growth and audience engagement.
Entertainment
Tributes Pour In as Eric Dane Dies at 53 After Courageous ALS Battle
Eric Dane, widely recognised for his roles in Grey’s Anatomy and Euphoria, has died at the age of 53, less than a year after publicly sharing his diagnosis of amyotrophic lateral sclerosis (ALS).
Dane was celebrated for portraying Dr Mark Sloan — affectionately known to fans as “Dr McSteamy” — on Grey’s Anatomy, as well as family patriarch Cal Jacobs in Euphoria.
The California-born actor revealed his ALS diagnosis in April 2025 and spent his final months championing awareness and support for those living with the condition, the most common form of motor neurone disease (MND).
In a statement, his family confirmed he passed away on Thursday afternoon following what they described as a courageous battle with the illness.
Dane is survived by his wife, Rebecca Gayheart, and their two daughters, Billie and Georgia. His loved ones shared that he spent his final days surrounded by close friends and family.
“He will be deeply missed and lovingly remembered always,” the statement read, adding that he remained grateful for the support of fans throughout his career.
Born in San Francisco in 1972, Dane began his television journey with an appearance in The Wonder Years in 1993. He went on to portray Jason Dean in Charmed and Captain Tom Chandler in The Last Ship, while also appearing in films including Marley & Me, Valentine’s Day, and Burlesque.
Following news of his passing, tributes from colleagues quickly emerged. Patrick Dempsey, who starred alongside him on Grey’s Anatomy, remembered Dane as “a joy to work with,” praising both his humour and his efforts to raise awareness about ALS.
Fellow cast members also paid tribute. Kim Raver recalled his playful wit and impeccable comedic timing on set, while Kevin McKidd shared a simple message of remembrance online.
In his final months, Dane channelled his platform toward advancing public understanding of ALS, leaving behind not only a legacy of memorable performances but also a meaningful contribution to ongoing advocacy efforts.
Entertainment
Tech-Inspired Musician Look Mum No Computer to Represent UK at Eurovision
Electronic artist Look Mum No Computer has been selected to represent the United Kingdom at this year’s Eurovision Song Contest in Vienna.
The solo performer — real name Sam Battle — is known for blending music with technology, building unconventional instruments and composing electronic soundscapes using devices such as modified Furby toys and Game Boys.
Battle first emerged on the music scene in 2014 as the frontman of indie rock band Zibra, which performed at Glastonbury Festival in 2015. Since then, he has focused on his solo project, gaining global attention for his inventive approach to sound creation.
“I find it completely bonkers to be jumping on this wonderful and wild journey,” he said after the announcement.
“A lifelong Eurovision fan, I love the magical joy it brings to millions of people every year. Getting to join that legacy and fly the flag for the UK is an absolute honour.”
Based in Kent, the artist has built a strong online presence, amassing around 1.4 million followers across his social media platforms, including his YouTube channel.
His work has drawn widespread interest for its creativity, featuring inventions such as Furby-powered organs, synthesiser bicycles and even flame-throwing keyboards.
“I’ve spent years creating, writing and producing my own visions from scratch,” he said. “I’ll be bringing every ounce of my creativity to the stage — I hope Eurovision is ready to get synthesised.”
Entertainment
Taylor Swift asks US government to block ‘Swift Home’ trademark
Pop superstar Taylor Swift has asked the US government to prevent a bedding company from trademarking the phrase “Swift Home,” arguing that it could mislead consumers into thinking she has endorsed the brand.
Swift’s legal representatives contend that New York-based company Cathay Home has styled the word “Swift” in a way that closely resembles the singer’s trademarked cursive signature.
Cathay Home, which sells bedding products through major retailers, had applied to register the “Swift Home” trademark for use on its home goods. In response, Swift — through her rights management entity — filed an appeal with the US Patent and Trademark Office on Wednesday.
In the filing, her legal team argued that the proposed trademark creates a “false association” with the artist, potentially leading consumers to believe she has endorsed the company’s products.
They further stated that the move appeared intended to leverage Swift’s “goodwill and recognition” to enhance the brand’s market appeal.
According to the documents, Swift already holds federal trademarks covering the use of her name and signature across a wide range of goods — including bedding, clothing and music-related merchandise.
Over the course of her career, Swift has secured more than 300 trademarks globally, encompassing her name, initials, album titles and even select lyrics — a reflection of her expansive commercial footprint.
The singer-songwriter’s business influence has grown alongside her creative success. With a net worth estimated at well above $1bn (£730m), boosted by record-breaking global tours, Swift continues to play an active role in protecting the commercial use of her brand identity.
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