Debbie Nelson, the mother of rap icon Eminem, has died at the age of 69, her death confirmed by the rapper’s representative, Dennis Dennehy. Nelson was known to have battled lung cancer, though the official cause of her death remains unconfirmed.

Nelson and Eminem shared a turbulent relationship that deeply influenced the artist’s early music. Songs like Cleanin’ Out My Closet brought their struggles to the public eye, with Eminem accusing her of neglect and substance abuse. Their strained bond led to a highly publicized defamation lawsuit in 1999, stemming from lyrics in My Name Is. Nelson later revealed it was her lawyer’s idea, and the case was settled for $25,000.

Despite years of discord, signs of reconciliation emerged over time. In his 2013 song Headlights, Eminem expressed regret for his harsh lyrics, apologizing to his mother. While they remained mostly estranged, Nelson publicly supported her son during key moments, including his 2022 induction into the Rock & Roll Hall of Fame.

In 2008, Nelson published her memoir, My Son Marshall, My Son Eminem, sharing her perspective on their relationship and her heartbreak over his public accusations.

Eminem has yet to issue a statement regarding her passing, leaving fans reflecting on the complex bond between the two.

An oil painting by renowned New Zealand artist Charles Frederick Goldie has set a national record, selling for an unprecedented NZ$3.75 million ($2.2 million; £1.7 million) at auction. The piece, titled Thoughts of a Tohunga, portrays Wharekauri Tahuna, a Māori priest believed to be among the last of his generation to bear traditional facial moko tattoos.

This historic sale marks the highest price ever paid for a painting in New Zealand’s art market. It also solidifies Goldie’s standing as one of the nation’s most revered artists, particularly for his detailed portraits of Māori elders.

The painting, completed in 1938, depicts Tahuna adorned with a moko and wearing a traditional hei-tiki pendant. Art critics regard the piece as one of Goldie’s finest works. According to Richard Thomson, director at the International Art Centre, this was the first time in 33 years that the painting had been offered for sale.

This record-breaking sale comes amid heightened racial tensions in New Zealand. Recently, the government’s coalition partner, the Act Party, introduced a controversial bill to reinterpret the Treaty of Waitangi, the founding agreement between Māori and the Crown. Thousands marched in protest against the bill, highlighting ongoing challenges faced by the Māori community, including disparities in health, income, and education, as well as a seven-year gap in life expectancy compared to the general population.

Disney’s Moana 2 takes viewers on a vibrant journey across the ocean but falls short of the groundbreaking charm of the original. While it retains much of the magic that made Moana an instant classic, this sequel is a lighter, less impactful voyage.

The original Moana set an almost unattainable standard. As one of Disney’s most celebrated animated films, it earned praise for its refreshing Polynesian mythology, dazzling animation, and unforgettable characters like Moana (Auli’i Cravalho) and Maui (Dwayne Johnson). Critics hailed its originality and ingenious songs by Lin-Manuel Miranda, placing it near the top of Disney’s cinematic pantheon.

The sequel begins with Moana leading her people as voyagers, following the first film’s conclusion. The story takes an intriguing turn when she learns of Motofetu, a cursed island that once served as a hub for ocean civilizations. The premise gives Moana a compelling reason to reunite with Maui and set out on a high-stakes quest to restore the island’s legacy. Yet, despite this promising setup, Moana 2 doesn’t capture the same sense of urgency or wonder.

The film retains its bold, colorful animation and lively pacing but leans heavily on broader humor and less substantial storytelling. The songs, while enjoyable, feel more obligatory than integral, lacking the emotional depth that defined the first movie. They serve more as filler than as moments of revelation or character development.

While the journey is entertaining, it lacks the fresh sense of discovery that made its predecessor so beloved. The stakes feel lower, and the humor, though fun, occasionally overshadows the heartfelt moments that made Moana a standout.